Adrian Worsfold has written an exception piece in the Daily Episcopalian:
Like other leading modern theologians of the first half of the twentieth century, Paul Tillich had difficulty relating Jesus as the Christ to history and also found culture problematic, compared with those nineteenth century liberals that the moderns reacted against. Whereas Karl Barth developed what was identified as a narrative theology, or “history-like” – but not of this world, Tillich early on had an aesthetic theology for his Christology. He wanted a historical rooting, but realised history could not deliver – but the analogy with art did the job. There is form, and content, and something that hits us from the art itself, which he called Gehalt and cannot be fully translated, but it means something like dynamism or power or impact.
The Lambeth Conference in 2008 can be seen on similar lines to Tillich’s theology. Its form was all important, because there could not be a repeat of the bad feeling of the 1998 Conference that some likened to the Nuremberg rally.
Read the entire article and give it some thought: Daily Episcopalian